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INNER SPACE, OUTER MIND

There really was a nice exhibit on display the day I took this at LACMA in Los Angeles. But this arrangement of space was arguing louder for my attention. 1/160 sec., f/1.8, ISO 320, 35mm. By MICHAEL...

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CHANGE OF PLAN

Rainy day, dream away. Griffith Observatory under early overcast, 11/29/13. 1/160, f/5.6, ISO 100, 35mm. by MICHAEL PERKINS VISUAL WONDERS, IN EVERY HOUR AND SEASON, ARE THE COMMON CURRENCY OF...

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SUBDIVISIONS

Compartments, 2014. By MICHAEL PERKINS SPACE, BY ITSELF, DOESN’T SUGGEST ITSELF AS A PHOTOGRAPHIC SUBJECT, that is, unless it is measured against something else. Walls. Windows. Gates and Fences....

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GET THEE TO A LABORATORY

The Visitor Center at Los Angeles’ Getty Museum. 1/1600 sec., f/5.6, ISO 100, 35mm. by MICHAEL PERKINS PHOTOGRAPHIC SUBJECT MATTER, ONCE YOU’VE TRAINED YOURSELF TO SPOT IT, is always in ready supply....

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TURN THE PAGE

By MICHAEL PERKINS I’M VERY ACCUSTOMED TO BEING STOPPED IN MY TRACKS AT A PHOTOGRAPH THAT EVOKES A BYGONE ERA: we’ve all rifled through archives and been astounded by a vintage image that, all by...

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NOT WHAT I CAME FOR, BUT…

By MICHAEL PERKINS ANYONE WHO’S MADE A ROAD TRIP CAN TELL YOU THAT THE DESTINATION IS OFTEN FAR LESS ENJOYABLE THAN THE JOURNEY, a truth that also applies to photography. The best things result from...

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THE AGE OF ELEGANCE

The Mount, Edith Wharton’s Berskshire Estate, now a working museum. If only we’d stop trying to be happy, we could have a pretty good time.——Edith Wharton By MICHAEL PERKINS LONG BEFORE HER NOVELS THE...

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BIG LITTLE WORLDS

You and Scooby and Shaggy meet us at the old dark house: one of the many great exhibits at Tucson’s Mini-Time Machine Museum of Miniatures. By MICHAEL PERKINS EVER SINCE GULLIVER GOT HIMSELF HOG-TIED...

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YOU’RE IN MY SHOT

The Brooklyn Museum, 2015. Framing around tourists at attractions means compromising what you want to capture in a given frame. Sometimes it works, and sometimes…… By MICHAEL PERKINS THE MOST...

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WEIRD SCIENCE

The fetal gestation timeline at Columbus, Ohio’s Center Of Science & Industry. 1/60 sec., f/3.5, ISO 500, 24mm. By MICHAEL PERKINS ONE OF THE RITES OF PASSAGE FOR SCHOOL KIDS IN COLUMBUS, OHIO IN...

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MANY FACES, ONE FAMILY

By MICHAEL PERKINS Edward Steichen looks over a scale model of the 1955 Family Of Man show, the most famous photographic exhibit of all time. I FEEL THAT THERE SHOULD ALWAYS HAVE BEEN A NOBEL PRIZE FOR...

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AT WAR WITH THE OBVIOUS

“I had this notion of what I called a democratic way of looking around, that nothing was more or less important. It quickly came to be that I grew interested in photographing whatever was there,...

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ON DISPLAY

  By MICHAEL PERKINS ALTHOUGH MUSEUMS ARE DESIGNED as repositories of history’s greatest stories, I often find that the most compelling narratives within those elegant walls, for the photographer in...

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HAPPY-EN-STANCE

  By MICHAEL PERKINS IT’S FAIR TO SAY that photographers are occasionally the worst possible judges of what will save or spoil a picture. Try as we may to judiciously assemble the perfect composition,...

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HERE. NOT HERE. MAYBE HERE?

By MICHAEL PERKINS 1,000,000,000,000. One trillion. That’s the approximate number, in the digital era, of annual photo postings to the internet in a single year. That’s a serious buncha digits. And a...

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ROAD SCARS

Let’s crank this bad boy up… By MICHAEL PERKINS THE MUSICAL INSTRUMENT MUSEUM IN PHOENIX, ARIZONA is possibly the largest collection of musical artifacts in the world, a stunning array of everyday...

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FLYING STANDBY

Flight suit A7-LB, worn in 1972 on the Apollo program’s mission 16 by Admiral Ken Mattingly. By MICHAEL PERKINS ASTRONAUT KEN MATTINGLY, ALONG WITH MILLIONS OF AMERICANS IN 1970, never caught the...

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